Deposit and Release Timing: A Practical Checklist
If you are comparing Deposit and Release Timing: A Practical Checklist, the useful questions are narrower than most guides admit: what it is made of, how it is finished, how big it actually is, and how many exist.
What Edition Size Actually Controls
Edition size caps supply, and a small cap is what gives a numbered piece a reference value years later. The ASH 1/4-scale polystone bust is an edition of 500; the LIN YUANZHE 1/4-scale articulated bust is an edition of 999. Both are small enough that the numbered certificate carries real weight rather than being decorative packaging the buyer discards.
Pre-Order Terms
| Stage | What happens |
|---|---|
| Deposit | Secures individual number |
| Production | Tracks studio schedule |
| Balance | Due on shipment |
| Release | Number confirmed in box |
Measurements Catch a Recast
An expected 32 cm or 34 cm piece that measures 36 cm is a different mould. Height is hard to fake without a new tool, and weight helps too: a recast that feels light for its volume is usually hollow where it should be solid. Combine the two and most recasts fail the field test in under a minute.
Reading the Certificate
A legitimate certificate states product name, edition size, individual number, materials, scale and issue date, with a wax seal, embossed stamp or holographic element that is physically present. The number must fall inside the published range, and a sticker placed over an original printed number is a serious warning that the piece has been renumbered.
Why the Number Is Reserved, Not Random
Pre-ordering locks your individual number within the edition, which is why early reservation matters for a small cap. Waiting for general release risks a higher number or a closed run, and a closed run means the only way in is the secondary market at a market price.
Judge a piece by three numbers — material, scale and edition size — then by the finish. Everything else is decoration.
